Janice Bond's Collection: An Odyssey Through Global Black Art

“I aim for my collection to serve as both an archive and a catalyst for nurturing emerging artists while preserving and promoting the works of mid-career to master artists from various diasporas.”

Janice Bond, an art advisor with a vision, has interlaced the threads of her fine art collection to bring into existence a collection that reflects and impacts the global black art community. Her endeavors extend beyond personal enjoyment, reverberating through the corridors of contemporary art as she nurtures, preserves, and promotes black voices within the artistic diaspora.

“I hope that the narratives and connections woven into my collection inspire rich and meaningful conversations. I want people to delve into the stories behind the artworks—questions like the artists' career stages when they created the pieces, or the significance of introducing art to children from a young age. Ultimately, I aim for my collection to spark dialogues that extend beyond the artworks themselves.”

The Essence of the Collection

Her collection comprises significant works by artists such as Kaima Marie, a Houston-based artist whose photo collages speak volumes of her narrative and edginess, and Mor Gueye, an artist whose inception into her collection paints the story of Janice Bond's collecting genesis.

An anecdote detailing Janice's first acquisition captures the essence of her dedication; a modest painting caught her gaze at the old Dakar airport. "I stumbled upon a captivating yet modest painting at the old Dakar airport. Despite my inquiries, I couldn't immediately find anyone knowledgeable about the artist. Thankfully, one of my mentors arranged for his son to escort me to the village where Mor Gueye, the artist whose name adorned the painting, had his studio. Although Mor Gueye was away with his family at the time, his apprentices were working there. I observed a few pieces and acquired them."

Through this serendipitous trail that led to Mor Gueye's studio, she not only acquired the painting but also an invaluable experience that rooted her future in art collection—a memorable intersection of destiny and design.

“There's an undeniable blend of narrative, skill, and edginess in her clean execution that compelled me to acquire her work.”

Nurturing Emerging Talent and Seasoned Artists

Janice Bond's goals extend to becoming a fount of support for artists and museums seeking to diversify their collections with works from black diasporas. She envisions a future where her collection advances from personal confines to an institutional embodiment—an archive igniting conversations and sparking creativity.

"I envision my collection evolving into more than just a personal endeavor. I aspire to become a significant patron, supporting a select group of museums in their efforts to collect and exhibit artworks beyond the confines of my own walls.

“I aim for my collection to serve as both an archive and a catalyst for nurturing emerging artists while preserving and promoting the works of mid-career to master artists from various diasporas."

The expectation is that this art collection kindles dialogues encompassing the diverse stages of artist careers, the inculturation of art appreciation in the young, and the intersectional stories that each piece represents. For Janice, each artwork isn't simply an object of visual delight; it is a node within a larger narrative—one that invites inquiry, connection, and understanding.

Vignettes of Acquisition

The journey to becoming a comfortable art collector began with a transformative encounter at an art opening. Meeting Patric McCoy from Diasporal Rhythms shifted Janices perspective, leading to embracing the collector identity organically.

"I recall attending an art opening at Chicago State University where I had the pleasure of meeting the esteemed collector Patric McCoy of the collector’s group, Diasporal Rhythms. He graciously shared his insights on fundamental queries like "How do I know if I am an art collector?" and "How do you collect art?" His wisdom altered my perspective on the artworks in my home, and from that moment, I embraced my identity as a collector. The process unfolded organically thereafter."

“I don't have a single favorite—I cherish each piece for its unique qualities, much like how one appreciates different genres of music at various times.“

The Role and Contribution to the Art World

Janice Bond's influence stretches into ART IS BOND, the contemporary art museum she directs in Houston’s Montrose District. Through her passion, this space has flourished into a bastion of artistic experimentation and expression. Her contribution lies not just in the accumulation of art but in her ability to blend stewardship with advocacy, fostering environments where art and community resonate in harmony.

Through Janice's remarkable collection and her pivotal role in the art world, her impact on global black art continues to grow. Her collection represents a beacon that promises to bring about enduring change and establish a legacy of inclusivity and diversity within the artistic narrative.

The Art of Collecting Stories with Zsavon Butler

“For me collecting art isn't just about acquiring pieces; it's about forming personal connections with the artists and understanding the stories behind their work.”

Collecting art is often viewed as a pursuit of appreciating aesthetic beauty, but for Zsavon Butler, it transcends mere visual appeal. Her collection weaves together an intriguing mix of experiences, emotions, and cultural perspectives—a narrative that grows more profound with each new addition.

The Personal Connection Behind Each Piece

For Zsavon, the process of acquiring art is an intimate affair. It isn't just about finding the next piece to grace the walls of her home; it's an opportunity to forge connections.

Zsavon's approach to art curation centers on personal relationships. "The stories behind the art matter as much as the art itself," she explains. "Meeting the artist, hearing their inspirations, and even visiting their studios is essential—it adds depth to the piece that can't be replicated."

“I hope that in 5, 10, 15 years, my art collection becomes a vivid narrative of human experiences, emotions, and cultural perspectives. Each piece holds a unique story, and collectively, they form a tapestry that reflects the complexities and excitement of life.” 

What the Future Holds for Zsavon's Collection

Speaking on her aspirations for her collection, Zsavon expresses a desire for her art to become a "vivid narrative of human experiences, emotions, and cultural perspectives" over the years. Her wish is for her curated ensemble of pieces to represent the full spectrum of life, captured through the creative lens of the diverse artists she supports.

In 5, 10, or 15 years, Zsavon hopes her art collection will not only have increased in value but, more importantly, in meaning. "I want my collection to narrate stories that resonate with anyone who encounters it, stories that reflect the complexities and excitement of life," she shares.

The Joy of the Most Recent Acquisition

"I recently acquired a stunning piece of art at an Align ROI Collectors Brunch, where I had the privilege of purchasing a limited edition print by Delita Martin." This limited-edition print by such a renowned artist holds a special place in her heart. Zsavon recounts the exhilaration of the moment, the buzz of the room as collectors eagerly found their connection. The experience was not just about the art; it was about the communal celebration of creativity.

“I recently acquired a stunning piece of art at an Align ROI Collectors Brunch, where I had the privilege of purchasing a limited edition print by Delita Martin. The entire experience was truly incredible.“

"The entire experience was truly incredible. From being immersed in her captivating studio environment to hearing her insightful take on the art industry, it was a memorable journey. I found myself delicately sifting through the limited prints placed throughout the room until l discovered the piece that resonated with me the most. It was fascinating to witness other collectors' eyes dance around the tables, eagerly searching for their perfect match." 

Each new addition marks a fresh chapter in Zsavon's collection, enriching the narrative and intricately blending the tales of various artists into her unique anthology.

From curious Beginnings to Artful Realizations

Reflecting on her first art acquisition, Zsavon recalls the day she stumbled upon "Goldy," a captivating collage by Tay Butler. It was a powerful moment that shaped her collecting path, highlighting her affinity for art that tells stories and finds the soulful commonality between both the art and its collector.

"Goldy" was not just a painting on a wall—it was a portal into a world of storytelling through art. It set the tone for Zsavon's subsequent acquisitions, leading her to seek out pieces with deeper layers waiting to be explored.

"This ignited my passion for art that conveys narratives and resonates with personal experiences. This acquisition marked the beginning of a meaningful journey into the world of storytelling through art and a wonderful friendship."

Keeping the Collective Story Alive

Zsavon's unique approach to art acquisition is a testament to the power of personal connections and storytelling. Each piece in her collection is more than just an object; it's a part of a shared narrative. By collecting art, Zsavon is keeping the collective story of the creative community alive and thriving.

Her commitment to this process has crafted a collection that is not only visually stunning but culturally significant, and deeply personal. Zsavon exemplifies collecting—where stories are as valuable as the art itself.

Lavonne Burke Sam: Curating A legacy

“I hope that my collection will spark a discussion about the importance of art collecting by younger black professionals.  It is a lifelong journey and a way to leave a lasting legacy for your children and also build and transfer generational wealth.”

In the world of art collecting, few things are as profound as the creation of a legacy. Art collector, Lavonne Burke Sam, not only understands this profoundly, but embodies it, having built a collection that does more than fill the walls—it carries a narrative rich with history, culture, and a forward-thinking investment mindset. Here, we explore how Burke's intuitive and heartfelt approach to collecting art serves as a pathway for generational wealth and cultural enrichment.

Intuition Meets Investment

Burke's art-collecting story begins with "Jasmine," an emotive piece by Rene Dickerson that sparked something deeper than mere aesthetics—it ignited a connection with her spirit. “When I saw the painting it really moved my spirit. I came back three days in a row to view it before making the decision to purchase it. While I now do quite a bit more research on the artist before acquiring a work, I still always use my gut when making acquisitions and only acquire works that speak to me.”

“My first fine art acquisition was a beautiful original painting from Rene Dickerson entitled "Jasmine" and was completely emotionally based.“

This initial interaction set the precedent for Burke's entire acquisition ethos. Her approach transcends the traditional investment paradigms, grounding it in a personal affinity that aligns with her broader vision for her collection's legacy.

A Legacy Lined with Intention

Burke's discerning eye gravitates toward abstractions and depictions of strong black women. Within these chosen themes, each piece weaves together a greater dialogue—one that reflects the resilience, beauty, and complexity of the African diaspora. 

“I hope that my collection will spark a discussion about the importance of art collecting by younger black professionals.  It is a lifelong journey and a way to leave a lasting legacy for your children and also build and transfer generational wealth.”

Catalog of Cultural Wealth

Among the prized jewels in Burke's treasury is "There is a Woman in Every Color" by Elizabeth Catlett, an acquisition she cherishes deeply for its emblematic importance. The collection also boasts original works from Faith Ringgold, Woodrow Nash, and her recent addition, "Reflected Light," by Akindele John—a Nigerian artist who captivates with vivid colors and stirring compositions. Each artist, each creation, adds a layer of context to the overarching goal—a curated exhibition of global black art that interlaces the past, present, and future.

Foresight for a Flourishing Collection

With each strategic acquisition, Burke not only seeks to adorn her environment but also prep for a future where her collection can stand shoulder-to-shoulder with pillars like The Kinsey Collection. Every artwork is more than an aesthetic choice; it's an investment in the narrative and financial future she cultivates for her son, and the community that will come to benefit from the shared cultural wealth. Her measured and purpose-driven acquisitions are a testament to her commitment to legacy-building through art.

When asked about the vision for her collection in the next 5, 10, and 15 years, Burke shares, "In the upcoming 5 to 10 years, I aim to enrich my home with art through strategic acquisitions of specific artists and pieces. Looking ahead to 15-20 years, my aspiration is to build a collection akin to The Kinsey Collection, showcasing a curation of global black art that I can pass down to my son and share with my community."

A Tapestry of Meaningful Interactions

Burke's connection with her collection is intensely personal. Eschewing the notion of favoritism, she finds immeasurable value and unique stories within each piece, making moments of acquisition memorable milestones. These stories of artwork chosen not just for beauty but for emotional resonance and cultural representation are what make the Lavonne Burke collection a remarkable blueprint for integrating art into the ethos of generational wealth.

“Each piece has a special meaning and a special story behind its respective acquisition. They are all so unique and different.“

Infusing Future Generations with Cultural and Capital Equity

With each new artwork, Burke invests not only in financial equity but in a wellspring of cultural dialogue that unpacks the layers of the black experience. Her focus is unwavering—gifting future generations a trove of treasures that encapsulate the triumphs, challenges, and aspirations of their ancestry.

Through her mindful curation, Lavonne Burke stands to be an icon of intentional collecting, where every acquisition is a deliberate stitch in the tapestry of a rich and enduring legacy.

Art collecting, as embraced by Lavonne Burke, is indeed more than a hobby—it's a commitment to heritage, to beauty, and to the invaluable gift of generational wealth.

Navigating the Art of Collection: An Interview with Gina Evans

Collecting art is a lifelong endeavor, a continual process of learning, discovery, and evaluation. In this blog post, we sit down with the multifaceted Gina Evans, a doctor, a mother, a wife, and an avid art collector, to unravel the intimate threads of her collecting experience.

When it comes to the art world, collectors are a breed apart. The very act of assembling a collection that speaks to you, that ignites the passions and sparks the intellect, is a deeply personal and revelatory undertaking. Collecting art is a lifelong endeavor, a continual process of learning, discovery, and evaluation. In this blog post, we sit down with the multifaceted Gina Evans, a doctor, a mother, a wife, and an avid art collector, to unravel the intimate threads of her collecting experience.

A Personal Pilgrimage

Entering the realm of art collection is akin to undertaking a personal pilgrimage. Each piece of work collected encapsulates a moment, an emotion, or a profound connection—be it with the artist, the subject, or the milieu from which it hails. Yet, the path to this juncture is not always clear, and for Gina, this pilgrimage has been a dynamic blend of professional gatherings, family, and the winds of the digital age.

Gina reflects on the vintage Muhammad Ali fight poster that has recently found a home in her collection. It's not just a bygone advertisement; it's a conduit to her Chicago heritage, a homage to her father’s love for black memorabilia.  

When asked if she has a favorite piece in her collection, Gina notes that “this answer changes depending on the day, my mood, etc., but today I would say it's “a vintage Muhammad Ali fight poster advertising a ringside 2-day fight event at a Chicago location. My father gifted me this poster for Christmas and I recently framed it. It reminds me that works in your collection can be in various forms. This poster is so special to me because it reminds me of my Chicago roots and my father who has collected black memorabilia over the years.”

This single work encapsulates multiple layers of meaning and personifies the eclectic tapestry that is Gina’s collection. It assures us that there is no singular path to assembling a collection; there are only pieces waiting to be discovered and cherished in various forms.

“I do feel that I have gained more confidence and I think that really happened after working with an art advisor, who became a friend. She taught me early on to claim "collector" status.”

On Comfort and Confidence

A recurring question for many emerging collectors is, when do you become comfortable with the art of acquiring art? Gina's response is refreshingly candid. She admits that comfort remains elusive, for she is continually learning and discovering. “I do feel that I have gained more confidence and I think that really happened after working with an art advisor, who became a friend. She taught me early on to claim "collector" status. She exposed me to so many artists and works and taught me how to approach gallerists and other people in the art world when I have an interest in a particular work. ” This is a testament to the crucial role of guidance in this industry. Comfort comes not from mastery, but from the humility to continue learning, and the courage to call herself a collector and to claim that role with intention. 

“I also started talking to other collectors I would introduce myself and explained I was a novice collector and just wanted advice. Humbling myself and admitting this was a whole new world actually is what made me most comfortable with the process. People were willing to talk and liked to talk about their journey and pass on art-collecting nuggets that I still hold dear to this day.”

“If I saw a book or article about art collecting, I read it. I wanted to learn as much as possible. I also started talking to other collectors I would run into and introduced myself and explained I was a novice collector and just wanted advice. Humbling myself and admitting this was a whole new world actually is what made me most comfortable with the process.“

It’s not just about the destination; the process itself is an ongoing craft. Gina's preferred mode of acquisition isn’t dictated by convention; it remains open and fluid. Her benchmark for acquiring a piece isn’t the avenue but the connection she forges with the work. It's an ethos that places the art ahead of the method, a principle that has opened doors to a plethora of acquisitions through online sources and virtual spaces due to her family responsibilities. 

“Most of my acquisitions, have been through an online source. Be it via instagram, Artsy, virtual art fairs, auctions, or directly from the artist. I have two small kids, which makes it difficult for me sometimes to make it to art fairs and exhibits. Having a tool I can scroll through late at night is a game changer for me.”

The digital age has indeed engendered a democratization of collecting, giving rise to novel platforms, and in Gina's case, providing a tool that has transformed her collecting experience.

The Art of Connection

What is evident in this conversation is the pervasive role of connection— with the art, with the process, and with those who walk the same path. Gina’s interactions with art advisors, artists, dealers, and fellow collectors have been instrumental in her evolution as a connoisseur. These interactions have not only demystified the art of collecting but have also enriched her perspective curated a more expansive 'eye,' and diversified her collection.

In the art world, the value of conversation cannot be understated. It holds the power to elucidate, to encourage, and to shape one's experience. Gina's foray into the art world was marked by a willingness to engage, to learn, and to position herself not just as a collector, but as a participant in a shared dialogue.

The Collector's Journey

Collecting art is not merely about assembling works; it is about crafting a narrative. It's about becoming the steward of stories, emotions, and moments encapsulated within each work. Gina's collection is not just about the 'what'—the exquisite pieces she has acquired—but the 'why' and 'how' that imbue each piece with a narrative. From the acquisition of a commissioned family portrait to the daily joy from scrolling through her digital gallery, her collection weaves a tapestry of connections and discoveries uniquely her own.

The collector's journey is one marked by curiosity, persistence, and an open heart. It is about finding those moments of resonance and serendipity that spark a connection and leave a lasting impression. For Gina, the path to comfort in collecting stems from this very ethos. It is the genuine pursuit of pieces that resonate and endure beyond the transaction, fostering a collection that is alive with meaning and memory.

In Conclusion

Gina Evans embodies the essence of a contemporary art collector—a figure not bound by the constraints of tradition, but one who navigates the rich tapestry of the art world with ingenuity and authenticity. Her story is an inspiring one, a testament to the multifaceted nature of collecting, and the myriad ways in which art can enrich our lives.

Sharing the story of her most memorable acquisition shows Ginas aim to “feel” the work on her walls.  “The family piece I had commissioned by Celia Rakotondrainy is my most memorable acquisiton. This was my first and only commissioned piece. I wanted a family photo, but I wanted something with a "spin" and Celia delivered big time. I love how she blended our faces to create an overall feeling of oneness and shows how all our genes blend together. Celia actually lives in the Azores, Portugal, so we communicated via email about the details of the work.”

As you, the reader, chart your own course in the art of collection, remember Gina's words. Be open, be willing to learn, and above all, be unafraid to connect. Whether you’re acquiring a piece at a lifetime auction or inquiring about a work that speaks to you, the collector’s path is a rich one, marked by the encounters and treasures that shape it. And in this rich panorama, there is room for every voice, every story, and every connection that makes the art of collection an endlessly rewarding endeavor.

The Rhythms and Reflections of Art Collecting with Keitha Wright

Art Collecting with Keitha Wright

The art of collecting isn’t just about amassing a trove of beautiful pieces; it’s a testament to a narrative of value, personal resonance, and the cultural memories we hold dear. Enter Keitha Wright, a formidable fusion of identities— a Dallas based art collector, lawyer, and proud mother—whose treasure trove of artwork speaks volumes about the passion she harbors for the stories within each canvas and photograph.

Immersed in a whirlwind of cultural appreciation and community empowerment, Keitha's collection stands not only as a testament to her refined taste but as milestones within her life's gallery—each piece a pivot point in her ongoing odyssey through the art world.

Jessica Vollrath, I Dreamt of God Last Night, 52x52 oil on canvas

Chapter One: From the Depths of Howard University to the Canvas of Jessica Vollrath

At the core of Keitha's collection lies a recent addition that pulses with significance for both her and the artist behind the brush. Jessica Vollrath’s 52x52 oil on canvas, "I Dreamt of God Last Night," now graces the walls of Keitha's home. "I loved the piece as soon as I saw it and when I found out the artist received her BFA from Howard University, one of my alma maters, I was sold.  I made this purchase through Pencil on Paper, a Black woman-owned gallery in Dallas."

Art patronage for Keitha is more than a solitary appreciation; it's a symbiotic relationship that binds artist and collector. Purchasing through Pencil on Paper, a Dallas-based Black woman-owned gallery, Keitha's commitment to fortifying such grassroots establishments is unwavering.

Chapter Two: The Origins of Soulful Art Appreciation

Keitha's art odyssey sprouted from a chance encounter with her first acquired piece, a poignant photograph immortalizing Willard Watson, fondly known as "The Texas Kid."

"My first piece is also my favorite piece.  It is a large-scale photograph of Willard Watson aka “The Texas Kid”.  Watson was a folk artist from Louisiana based in Dallas. He often wore cowboy attire and lots of Western jewelry.  His work is displayed at the African American Museum of Dallas.  I saw a giant copy of the print of Watson at a local restaurant and inquired about purchasing it.  I didn’t know who he was at the time but he reminded me of many of my relatives from small-town Texas with his cowboy hat and fancy western belt.  The owner told me it was not for sale (he loved it) but he gave me the name of the photographer.  The photographer, who had shot for magazines like Texas Monthly, had long retired but was so kind as to print a copy for me.  I have no idea what it’s worth but it’s my most prized piece. "

This initial acquisition underscored the unquantifiable worth of art—values that transcend the currency an artwork might fetch in the marketplace. It's about personal connection, that gives art its truest value.

Chapter Three: The Uncharted Territories of Comfort in the Collecting Realm

Comfort in any art form comes with experience, association, and learning, yet for Keitha, navigating the nebulous nuances of art collecting has long been a continuum. The intricacies of price negotiation, art world acumen, and investment potential remain a realm of perpetual curiosity and exploration for her. Trusted allies in the form of Valerie Gillespie and the broader network of Black women within the art community have proven foundational in demystifying the art world.

Keitha's anecdote highlights that every collector harbors an alchemic blend of uncertainty and discovery. Comfort in the art world is a story of stepping into uncharted territories, guided by the colorful compass of community and shared wisdom.

“This piece is by Lenworth McIntosh aka Joonbug. I bought this print many years ago for my son’s bedroom. It’s a limited edition print.”

Chapter Four: Expanding the Palette Beyond Cultural Boundaries

Keitha’s collection reveals a dance with variance. "My first formal acquisition was from an artist named Maxine Helfman.  I normally only collect works from Black artists but I saw a photograph of a Black woman for her series “Historical Correction” at a friend’s home and couldn’t get it out of my mind.  I reached out to her agent and negotiated a price.  It was an empowering feeling."

Keitha with the owners of Pencil on Paper Gallery

Epilogue: A Curator of her Own Destiny

Keitha's art collecting story is a testament to the multifaceted nature of collecting. Each piece is an entry in the ledger of her life, a chronicle of connection and community, and a chapter in the collective memory of artistic representation. Her experiences in the art world encapsulate the very essence of a culture that is not merely collected; it is curated with the courage to step out of her comfort zones, love, intention, and the belief that the greatest pieces of art transcend their frames to color our lives with meaning.

In penning her art collector's diary, Keitha has not only immortalized the pieces she holds dear but also those fleeting moments of inspiration and discovery.

Delita Martin: Harnessing the Power of Printmaking - A Journey into Art Collecting

Delita Martin: Harnessing the Power of Printmaking - A Journey into Art Collecting

In the vast ocean of creative expression, Delita Martin stands as a lighthouse, casting her unique vision across the waves of printmaking. She's not just an artist; she’s a collector in her own right — curating a collection not only of art but of cultural narrative, memory, and story. Her insights into the artistry of amassing fine pieces open windows to a world that's both philosophical and practical, intriguing and instructive. Because “Artfully Living” is her thing, after all. 

Delita recounts her journey into the world of art collecting, "The first piece of work I purchased were two prints by Cuban artist Eduardo Roca Salazar ‘Chocolate’. The works were purchased from the artist at his studio in Cuba.” This seminal moment was not merely an acquisition, but the first step on a path that would see her build a collection that goes beyond mere aesthetics, embodying the rich tapestry of human experience.

An artist herself, Delita notes that her collection is primarily composed of fine art prints, "My Collection is built around fine art prints but there are some exceptions.” This collection is carefully curated to reflect her own identity and tastes while also telling a wider story about the world around us.

Delita anticipates that her collection will inspire dialogue, particularly around the diversity and innovation in printmaking, "I hope that my collection speaks proudly about the innovations in the world of printmaking particularly as it relates to artists of color.” Each piece in her collection is a storyteller, reflecting the voices of the artists and their unique narratives.

When asked about her favorite piece, her response embodies the ever-evolving nature of a collector, “I claim them all as my favorite. It changes every day.” Delita's collection is more than an assortment of chosen pieces; it's a living, breathing entity that continues to evolve with her.

Delita's most memorable acquisition is a piece that marries both art and literature, “My most memorable acquisition is a handmade/letterpress, illustrations by Dr. John T. Biggers and words by Dr. Maya Angelou.” To Delita, each artwork acquired doesn't just enhance her collection but also contributes to preserving the rich legacy of extraordinary artists.

The art of collecting, according to Delita Martin, is not just about possessing art, but about participating in a timeless dialogue between artists and their audience. Her collection, while capturing her unique aesthetic sensibilities, also serves as a symphony of voices from the world of art, inviting us all to join the conversation.

In the world of art collecting, Delita Martin's approach is a shining example of how a collection can resonate beyond the frames of the works. They serve to illuminate the passions, stories, and heritage of the artists while creating a bridge to the audience, encouraging us all to not just observe, but to engage with the world of the art and artist.

If you would like to dive deeper into Delita’s collecting journey and her own art practice, please enjoy this two-part episode of her interview on Arts Explanatory Comma Podcast.

The Curated Canvas of Raquel Seymone: An Art Collector's Odyssey

In the world of art collecting, few things resonate more profoundly than the personal journey of a collector. For Raquel Seymone, the odyssey is etched with memories, a poignant timeline, and a vivid showcase of her curiosity through art. Art enthusiasts, collectors, and gallery owners, this feature doesn't just explore a collection; it unfurls the tapestries of intention, history, and personal evolution that Seymone's gallery of curiosities represents.

A Collector's First Love

Every collector remembers their first. For Seymone, it wasn't just any piece – it was the start of her identity as a collector. "The first works I felt like I collected 'as a collector' were these small portraits of Jean-Michele Basquiat and Frida Kahlo by Catrina Long," Seymone recalls. The thrill of the chase, the initial hesitation to reach out, and the eventual triumph of acquisition set the foundation of her collecting ethos – one rooted in emotion, admiration, and the appreciation of art that speaks to her.

The Journey into Comfort

For many, the art world may appear intimidating, shrouded in the veneer of exclusivity and a daunting lexicon. Seymone was no stranger to these initial trepidations: "It's an ongoing journey for me, but it initially required me to become much more comfortable learning and talking about art." It's a candid admission that echoes the sentiments of many burgeoning collectors and creators alike. The evolution from apprehension to a steadfast trust in her taste marks a significant transformation in how Seymone approaches the collecting process.

Memorable Acquisitions and Dreams Realized

Talk to any collector, and they will likely have that 'one' story – a tale of the dream piece that seemed far-reaching. Seymone lived this with the acquisition of a work by Delita Martin. Drafting a five-year plan with Martin's name on it, Seymone never anticipated the stars aligning so soon at the Align ROI's Emerging Collectors Brunch hosted at Martin's studio. Joking about swapping 'Usher in Las Vegas' for a Delita Martin, Seymone jovially confesses, "Zero regrets."

Representations and Reflections

Seymone's collection isn't tethered by a single theme; instead, it's an anthology of her life's phases, representing her life and her environment: Each piece holds a mirror to moments in time—"The work I collected while grieving my grandmother's passing looks very different from the work I collected when I was locked in the house during the early parts of the pandemic - and those periods look drastically different from my more impulsive “oooh this is cool and in my budget” era.” These aren't just art pieces; they're chapters in Seymone's chronological compendium.

Mark Francis, Ibeji, My Keeper, 2020

Looking ahead, Seymone envisions her collection as a repository of her inquisitiveness. "I hope my collection is a visual representation of my curiosities – about myself, my communities, the world around me," she says, contemplating the aesthetics and narratives that shape our world.

Favorites & Great-Grandmother's Legacy

Unsurprisingly, the most cherished pieces stem from her own lineage – the legacy artwork of her great-grandmother, a full-time artist who was based in Washington DC. “I have the last known surviving artworks from my paternal great-grandmother, who was a full-time artist in Washington DC.” Madonna of the Cotton Field. Seymone fondly shares that this piece represents a quintessential art memory—imbued with wonder upon learning that her ancestor painted such a masterpiece. It's a connection that transcends time, embodying the soulful link between past and present. “I still vividly remember my shock and awe while standing on top of my alphabet table to stare at the painting when my grandmother told me her mom painted it.”

Ibraim Nascimento, I’m Here, 2023

Transaction to Relationship

What about the acquisition process? For Seymone, professionalism and ease are paramount. Collecting art transcends transactional exchanges; it's about forming a relationship rooted in respect and mutual appreciation for art. Whether it's through an artist directly, a dealer, a gallery, or auction houses—it's the kinship cultivated throughout that process that Seymone values exceedingly.

It's clear that Raquel Seymone is not just accumulating art. She is stitching a quilt of experiences, cultivating a sanctuary where each piece reverberates with personal narratives and cultural dialogues. In Seymone's world, collecting is not just an investment in art; it's an investment in the personal growth and shared human experience that art embodies.

Louise Winifred Blackwell Meekins, Madonna of the Cotton Field

For art aficionados, Seymone's narrative offers more than inspiration. It's a pledge that in the realm of art collection, courage, and personal truth wield the real power to curate a collection that transcends mere aesthetics—it's a canvas of the collector's soul.